It's hard to think of a sadder commentary about Hollywood's sequel fetish than the presence of Rush Hour 3. Dull, uninspired, and redundant, this third pointless movie within an action/comedy franchise that defines mediocrity doesn't even attempt to disguise the truth that its existence is a money grab. I was not keen on either previous Rush Hour film, but neither felt as tired and obligatory as this one. Apart from some amusing scenes with Chris Tucker and a nice dj vu dance routine to "War" performed by Tucker and Jackie Chan, this movie offers nothing that was not done better within the other outings featuring these mismatched buddy cops.
Alright, The inadequate plot has Chief Inspector Lee (Jackie Chan) protecting a Chinese diplomat during his stay in LA. He has top-secret details about the Triad crime syndicate but, before he is able to divulge it, he is shot. Lee, reunited together with his former partner, Detective James Carter (Chris Tucker), vows to the consul's daughter, Soo Yung (Zhang Jingchu), that he will find the person who attacked her father. To do this, Lee and Carter must pursue Triad assassin Kenji (Hiroyuki Sanada) to Paris, where they're aided by an anti-American cab driver named George (Yvan Attal), who discovers that he has a taste for car chases and gunplay.
As was true of Rush Hour and Rush Hour 2, this motion picture combines hit-and-miss comedy with lackluster action. The film doesn't have much of a pulse, and also the "excitement" comes across as pallid in comparison with The Bourne Ultimatum (although at least the movie camera isn't suffering from the shakes). This movie is most likely no more humorous than its predecessors, although it's hard to be sure. Nothing in any of the Rush Hour products has been roll-on-the-floor funny, and this one is no different. Especially lame is really a riff on "Who's on First" that proves the stars of the movie have nothing on Abbot and Costello. There's also a parody of emotional moments in buddy movies featuring Elton John's "Sorry Seems to be the Hardest Word." Maybe that's said to be an apology towards the audience by Brett Ratner. Also consider a scene featuring a lot of raw sewage that may on some level be considered a comment about where the franchise is headed.
Just one Of the numerous areas when the film disappoints (although, with that said, it's not unexpected), it's in the lack of physicality displayed by Jackie Chan. At age 53, he can no longer perform the sorts of stunts that made him a global star. Putting life and limb in danger in the line of duty are things for younger men. Most of Chan's most daring work has been passed on to stunt-men there are hints of CGI (although not enough where it's distracting). The end-credit outtakes, which are typically a horror show of Chan's muffed stunts, are limited here to verbal bloopers, messed-up lines, and also the occasional minor pratfall. Chan's gift for comedy appears as muted as his martial arts derring-do. Never during Rush Hour 3 is he especially funny. My assumption may be that as Chan aged, he would gravitate more toward comedy, but this isn't an excellent start.
I'm certain Chris Tucker picks up a pleasant paycheck but no slack. However, while it's a stretch to call him up "likable," at least he isn't as irritating as he was in Rush Hour and Rush Hour 2. Both Chan and Tucker are outmaneuvered within the comedy department by Yvan Attal, whose character's love/hate relationship with American culture leads to a few of the film's wittiest (and I use that word loosely) scenes. Max von Sydow, in "concealed bad guy" mode, is available to complete what he is doing best with that glorious bass voice. (Since Bergman is officially in his grave, he is able to turn over.) And Roman Polanksi has a cameo as a French policeman who anally rapes Lee and Carter. (Yes, you read that correctly. A PG-13 movie features anal rape - although, obviously, it's only implied and it is used to obtain a laugh.) Why Polanski would agree to play this part is anyone's guess; it's not the kind of thing that will assist his less-than-sterling reputation. I kept awaiting Jean Reno to appear, since he always seems available in these English-speaking films that happen in France.
Does Rush Hour 3 deliver what audiences expect of it? Only its most devoted fans will say "yes." The formula is in place however the performers are just doing the motions. It's a stale version compared to the previous motion pictures, plus they just weren't all that great to begin with. You could argue that director Brett Ratner a minimum of invested Rush Hour with a few energy. Even during the climactic battle at the Eiffel Tower, there is nothing resembling that here. This really is yet another disposable summer movie - so lackluster that it's not even worth searching out when it plays on tv. The Rush Hour experience, which never attained anything resembling full speed, originates to some crashing halt.
Alright, The inadequate plot has Chief Inspector Lee (Jackie Chan) protecting a Chinese diplomat during his stay in LA. He has top-secret details about the Triad crime syndicate but, before he is able to divulge it, he is shot. Lee, reunited together with his former partner, Detective James Carter (Chris Tucker), vows to the consul's daughter, Soo Yung (Zhang Jingchu), that he will find the person who attacked her father. To do this, Lee and Carter must pursue Triad assassin Kenji (Hiroyuki Sanada) to Paris, where they're aided by an anti-American cab driver named George (Yvan Attal), who discovers that he has a taste for car chases and gunplay.
As was true of Rush Hour and Rush Hour 2, this motion picture combines hit-and-miss comedy with lackluster action. The film doesn't have much of a pulse, and also the "excitement" comes across as pallid in comparison with The Bourne Ultimatum (although at least the movie camera isn't suffering from the shakes). This movie is most likely no more humorous than its predecessors, although it's hard to be sure. Nothing in any of the Rush Hour products has been roll-on-the-floor funny, and this one is no different. Especially lame is really a riff on "Who's on First" that proves the stars of the movie have nothing on Abbot and Costello. There's also a parody of emotional moments in buddy movies featuring Elton John's "Sorry Seems to be the Hardest Word." Maybe that's said to be an apology towards the audience by Brett Ratner. Also consider a scene featuring a lot of raw sewage that may on some level be considered a comment about where the franchise is headed.
Just one Of the numerous areas when the film disappoints (although, with that said, it's not unexpected), it's in the lack of physicality displayed by Jackie Chan. At age 53, he can no longer perform the sorts of stunts that made him a global star. Putting life and limb in danger in the line of duty are things for younger men. Most of Chan's most daring work has been passed on to stunt-men there are hints of CGI (although not enough where it's distracting). The end-credit outtakes, which are typically a horror show of Chan's muffed stunts, are limited here to verbal bloopers, messed-up lines, and also the occasional minor pratfall. Chan's gift for comedy appears as muted as his martial arts derring-do. Never during Rush Hour 3 is he especially funny. My assumption may be that as Chan aged, he would gravitate more toward comedy, but this isn't an excellent start.
I'm certain Chris Tucker picks up a pleasant paycheck but no slack. However, while it's a stretch to call him up "likable," at least he isn't as irritating as he was in Rush Hour and Rush Hour 2. Both Chan and Tucker are outmaneuvered within the comedy department by Yvan Attal, whose character's love/hate relationship with American culture leads to a few of the film's wittiest (and I use that word loosely) scenes. Max von Sydow, in "concealed bad guy" mode, is available to complete what he is doing best with that glorious bass voice. (Since Bergman is officially in his grave, he is able to turn over.) And Roman Polanksi has a cameo as a French policeman who anally rapes Lee and Carter. (Yes, you read that correctly. A PG-13 movie features anal rape - although, obviously, it's only implied and it is used to obtain a laugh.) Why Polanski would agree to play this part is anyone's guess; it's not the kind of thing that will assist his less-than-sterling reputation. I kept awaiting Jean Reno to appear, since he always seems available in these English-speaking films that happen in France.
Does Rush Hour 3 deliver what audiences expect of it? Only its most devoted fans will say "yes." The formula is in place however the performers are just doing the motions. It's a stale version compared to the previous motion pictures, plus they just weren't all that great to begin with. You could argue that director Brett Ratner a minimum of invested Rush Hour with a few energy. Even during the climactic battle at the Eiffel Tower, there is nothing resembling that here. This really is yet another disposable summer movie - so lackluster that it's not even worth searching out when it plays on tv. The Rush Hour experience, which never attained anything resembling full speed, originates to some crashing halt.
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